Book chapters and journal articles –
Gbormittah, F. (2025). “Reflections on Ghana’s film heritage: An exclusive conversation with
Ernest Kofi Abbeyquaye,” Postcolonial Text, Vol. 20, No 2, pp. 1-16.
Gbormittah, F. (2024). “What dreams, what projects, what challenges, for a writers’ association?”
In K.A. Twumesi (Ed.). Ghana Book World No. 12. Accra: Ghana Book Development Council. pp. 41-94.
Gbormittah, F. (2021). “The current state of creative writing in Ghana: Challenges and
opportunities.” In K.A. Twumesi, J. Agyiri, E. Agyei (Ed.). Ghana Book World No. 7. Accra: Ghana Book Development Council. pp. 50-58.
Adinku, G.U., & Gbormittah, F. (2017). “Makeup and Costume as a means of dramatic
expression in selected Nigerian Yoruba Home videos.” Inside Nollywood: Issues and Perspectives on Nigerian Cinema. Sola Fosudo & Tunji Azeez (Eds.). New York: Franklin International Publishers. pp. 289-309.
Ayesu, E., Gbormittah, F. & Adum-Kyeremeh, K. (2016b). “British colonialism and women’s
welfare in the Gold Coast Colony,” in Africa Today, Vol. 63, No. 2. pp. 52-54.
Gbormittah, F. (2016). “Performance, oral poetics and ideo-aesthetic heritages in the ‘Search for
the Soul’ of a poet-cantor.” Journal of Humanities and Cultural Studies, Vol. 1 (Issue 2). pp. 21-42.
Gbormittah, F. (2014). “Film education and identity construction in a multicultural context.” In
A.M. Asiedu, J. Collins, F. Gbormittah & F. Nii-Yartey (Ed.). The Performing Arts in Africa:
Ghanaian Perspectives. Oxfordshire: Ayebia Clarke Publishing. pp. 123-131.
Gbormittah, F., Adinku, G.U. (2013b). “The impact of ‘performativity’ on the form and aesthetics
of African screen media in production and reception.” The Performer: Ilorin Journal of the
Performing Arts, Vol. 15. pp. 68-74.
Osei Owusu, J. & Gbormittah, F. (2013a). “FESPACO 2013 Honours African Women,” in African
Agenda, Vol. 16, No. 2. pp. 35-36.
Gbormittah, F. (2011). “Spirit and lessons of international co-productions and the making of The
Destiny of Lesser Animals (Ghana/USA, 2011).” Journal of Performing Arts, Vol. 4, No. 2. pp. 47-56.
Gbormittah, F. (2009). “Technological innovations and realism in cinema: A case of Steadicam
and André Bazin’s Theory of Realism.” Journal of Performing Arts, Vol. 4, No. 1. pp. 109-122.
Forewords, blurbs and poems –
Gbormittah, F. (2022b). “Foreword.” In O. Allotey, A. Asiedu, G.D. Antonio & Ugoh, S. (Ed.). An
Anthology of Ghanaian Creative Writing: Poetry, Short Stories and Drama 2021 Collection
(pp. iii-iv). Accra: Ghana Association of Writers.
Gbormittah, F. (2022a). “The Plight of a Child Slave.” In O. Allotey, A. Asiedu, G.D. Antonio & S.
Ugoh (Ed.). An Anthology of Ghanaian Creative Writing: Poetry, Short Stories and Drama
2021 Collection. Accra: Ghana Association of Writers. p. 44.
Gbormittah, F. (2021). “Foreword.” In N.S. Achampong (Ed.). The Lockdown: An Anthology of 16
short creative nonfiction accounts about living with COVID-19 in 2020 (pp. iv-v). Accra: Ama Ata Aidoo Centre for Creative Writing, African University College of Communications (AUCC).
Gbormittah, F. (2021). “Blurb.” In D. D’Siafa. Beautiful Mind (p. iii). Accra: Firstline Publishing.
Gbormittah, F. (2020). “Blurb.” In G.K. Tordzro & A.J. Ayuune. Ancestral Code (back page). Glasgow: AdinkraLinks Publications.