ONGOING RESEARCH 

1. Journeying with Anumnyam: A cultural icon and catalyst in Ghanaian and Pan-African artistic renaissance.
2. Syncretism in action: Beer bottles at Nyoule-Paani Earthen Mosque, Upper West Region, Ghana.
3. Performance affect and applied arts in Africa: A critical examination of methodological approaches.
4. Adapting daily drama for the screen: An analysis of Chronicles of Odumkrom – The Headmaster (2015) and reflections of Ghanaian community and citizenship.
5. Space and place of performance: An analysis of the Annual Festival of the Apetɔku Shrine of Dagbamete.
6. Visuality and sensory authenticity in Ghanaian concert parties: Interrogating indigenous performance through Kinesics and Oculesics.
7. Theatre admission mechanisms in Ghana: Tickets as art, power deal, and commerce. Theatre Things: Material Theories and Histories, University of Michigan Press.
8. Spatial encounters in the city: Exploration of ‘space’ and ‘place’ in film and geography of Accra.
9. Make-believe, realism and the aesthetics of Zangbetor performance.
10. Aesthetic transfer of oral storytelling motifs in African cinema.
11. Cinema’s musical moments in Leila Djansi’s Ties That Bind (Ghana, 2011).
12. Digital technology, realism and realistic representations in cinema. 

Image